المعرض العالمي في ڤيينا، 1873

1873 ڤيينا
	The Rotunde, centre of the exhibition
Overview
BIE-class	Universal exposition
Category	Historical
الاسم	Weltausstellung
الشعار	Kultur und Erziehung (بالإنگليزية: Culture and Education)
المبنى	Rotunde
المساحة	233 Ha
الزائري	7,255,000
Location
البلد	النمسا-المجر
المدينة	ڤيينا
المكان	پراتر
الإحداثيات
خط زمني
افتتح	1 مايو 1873
الإغلاق	31 أكتوبر 1873
Universal expositions
السابق	Exposition Universelle (1867) in پاريس
اللاحق	المعرض القاري in فيلادلفيا

المعرض العالمي في ڤيينا، 1873 (بالألمانية: Weltausstellung 1873 Wien؛ بالإنگليزية: World Exposition 1873 Vienna) كان معرضاً عالمياً كبيراً انعقد في عام 1873 في عاصمة النمسا-المجر، ڤيينا. وكان شعاره Kultur und Erziehung (الثقافة والتعليم ).

There were almost 26,000 exhibitors housed in different buildings that were erected for this exposition, including the Rotunde (بالإنگليزية: Rotunda), a large circular building in the great park of Prater designed by the Scottish engineer John Scott Russell. The Rotunde was destroyed by fire on September 17, 1937.

The Russian pavilion had a naval section designed by Viktor Hartmann. Exhibits included models of the Port of Rijeka and the Illés Relief model of Jerusalem.

الجناح العثماني

عثمان حمدي بـِيْ، عالم الآثار والرسام، اختارته الحكومة العثمانية كمفوض معارض الدولة العثمانية في فيينا. He organized the Ottoman pavilion with Victor Marie de Launay, a French-born Ottoman official and archivist, who had written the catalogue for the Ottoman Empire's exhibition at the 1867 Paris World's Fair. The Ottoman pavilion, located near the Egyptian pavilion (which had its own pavilion despite being a territory of the Ottoman Empire), in the park outside the Rotunde, included small replicas of notable Ottoman buildings and models of vernacular architecture: a replica of the نافورة السلطان أحمد في Topkapı Palace, a model Istanbul residence, a representative حمام هجري, a cafe, and a bazaar. The 1873 Ottoman pavilion was more prominent than its pavilion in 1867. The Vienna exhibition set off Western nations' pavilions against Eastern pavilions, with the host, the Austro-Hungarian Empire, setting itself at the juncture between East and West. A report by the Ottoman commission for the exhibition expressed a goal of inspiring with their display "a serious interest [in the Ottoman Empire] on the part of the industrialists, traders, artists, and scholars of other nations...."

إعادة بناء نافورة السلطان أحمد.

The Ottoman pavilion included a gallery of mannequins wearing the traditional costumes of many of the varied ethnic groups of the Ottoman Empire. To supplement the cases of costumes, Osman Hamdi and de Launay created a photographic book of Ottoman costumes, the Elbise-i 'Osmaniyye (Les costumes populaires de la Turquie), with photographs by Pascal Sébah. The photographic plates of the Elbise depicted traditional Ottoman costumes, commissioned from artisans working in the administrative divisions (vilayets) of the Empire, worn by men, women, and children who resembled the various ethnic and religious types of the empire, though the models were all found in Istanbul. The photographs are accompanied by texts describing the costumes in detail and commenting on the rituals and habits of the regions and ethnic groups in question.

معرض صور

المدخل الرئيسي إلى المعرض وتظهر خلفه Rotunde.
القسم البحري من الجناح الروسي
مجسم إيلش Illés Relief لمدينة القدس.
Exhibition hall for art والجناح المصري
زي شعبي سويدي معروض في المعرض
ويگوام من أمريكا الشمالية.
منزل فارسي.

الجناح المصري في المعرض العالمي في ڤيينا، 1873.

السقط على ڤيينا

The exhibition led to an intensive building activity in the years before. The new train station to Germany Nordwestbahnhof was completed just in time, for example.

الهامش

^ Lowe, Charles. . London, T. F. Unwin. p. 28. Retrieved April 5, 2012.
^ "PATCHing the city 09". City of Rijeka. 2009. p. 6. Archived from the original (PDF) on March 19, 2012. Retrieved November 27, 2013.
^ "Tower of David Museum of the History of Jerusalem | Model of Jerusalem in the 19th Century". Towerofdavid.org.il. Archived from the original on December 3, 2013. Retrieved November 27, 2013.
^ Trencsényi, Balász; Kopečk, Michal (2007). "Osman Hamdi Bey and Victor Marie de Launay: The Popular Costumes of Turkey in 1873". Discourses of Collective Identity in Central and Southeast Europe (1770–1945). National Romanticism: Formation of National Movements. II. Budapest; New York: Central European University Press. pp. 174–180.
^ Ersoy, Ahmet (2003). "A Sartorial Tribute to Late Tanzimat Ottomanism: The Elbise-i 'Osmaniyye Album". Muqarnas. 20: 187–207 – via JSTOR.
^ Çelik, Zeynep (1992). "Islamic Quarters in Western Cities: Universal Exposition of 1873, Vienna". Displaying the Orient: Architecture of Islam at Nineteenth-Century World's Fairs. Berkeley, Los Angeles, Oxford: University of California Press. ISBN .